This Land by Martin Amis
“The sheep stopped in their eating and looked timidly at us;
and the cattle, their heads turned from the wind and sleet,
stared angrily as if they held us responsible for both annoyances;
but, except these things, and the shudder of the dying day in every blade of grass,
there was no break in the bleak stillness of the marshes.”
- Charles Dickens, Great Expectations
Situated on the Thames Estuary in southeast England, the North Kent Marshes are an overlooked but vital swathe of land. For centuries, trade has flowed in through the estuary and the surrounding wilderness harbours a rich history. In the 18th century, plague outbreaks ravaged Europe and ships were quarantined in the nearby Medway. The low-lying terrain provided the ideal conditions for smugglers, as small vessels would target ships transporting goods to the capital, allegedly sneaking the contraband down underground tunnel networks once ashore. It was against this illicit backdrop that Charles Dickens set the early parts of Great Expectations (1861), where the escaped convict Magwitch takes refuge in the marshes.
Since 2011, Martin Amis has been photographing in the same marshland near his home, finding solace in the landscape through walking. This Land is the result of many walks over the past decade – much in the period from March 2020, coinciding with the UK’s first coronavirus lockdown. Devoid of people, Amis’ images invite a reconnection with nature: derelict industry reclaimed by the wild, grazing sheep and lone birds drifting across a monotone sky. Despite an undertone of loss and absence, Amis portrays a land that is continually being shaped by the elements and the civilisations that pass through it. If we listen closely, we might almost hear the shouts of the night watch over the gulf of time and the creaking prison hulks that once inspired Dickens.
Watch a video flip through at the bottom of this page ↓
Regular Edition: £35 (signed)
Special Edition: £95 (starting price, two print options)
Available to purchase here.
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Designer: Tom Booth Woodger
Reprographics: Colour & Books, Sebbastiaan Hankeroot
Printer: Wilco Art Books, NL
Printing: Tritone
Cover Printing: Double hit silver
Size: 300x240mm
Pages: 72
Images:39
Paper: Munken Lynx Rough 150gsm
Cover paper: Clairefontaine Trophee Black 280gsm & Materica Pitch 270gsm
“With an understated and elegant design by Tom Booth Woodger, these thoughtful photographs invite the viewer to re-consider their relationship with nature. There’s a stillness and quietness to the images - small observations take in the texture of the land, making you think that Amis is not just walking through the land, but is walking with it. There is a loneliness that permeates the photographs, but also a deep affection for and understanding of the power of landscape.”
Photobooks of 2021: Alys Tomlinson
“Having written about the work before, I feel that Amis is onto something new and sincere in his brooding and lyrical photographs of his native Britain. I am reminded of a deep melancholy that pervades the land and, in this state, I am reminded of how the familiar can be marginalized, grafted, and changed into something profound that escapes banality. It is a strong offering and a shift in Amis’s work that I hope will continue.”
Photobooks of 2021: Brad Feuerhelm
Photobooks of 2021: Alys Tomlinson
“Having written about the work before, I feel that Amis is onto something new and sincere in his brooding and lyrical photographs of his native Britain. I am reminded of a deep melancholy that pervades the land and, in this state, I am reminded of how the familiar can be marginalized, grafted, and changed into something profound that escapes banality. It is a strong offering and a shift in Amis’s work that I hope will continue.”
Photobooks of 2021: Brad Feuerhelm
